Tag! You're it!

You know what's useful? Tagging. It must be, because we use it all over the place - flickr, blog posts, on our email, everywhere. And when you get down to it, filing in a filing cabinet is just tagging, albeit only one tag in one place. Unless you have cross-reference paper files, in which case I salute your ambition.

So when I got excited about the Powerhouse Museum's project to tag its collection online, it's not surprising. (By the way, are there other such endeavors I'm not aware of?) It has been asked of me, though, why would anyone just go and tag that? That's boring. It's one thing to tag it for your personal use, but tagging other people's stuff. Yawn.

Fair enough, I sputter, but, but it's COOL!

A couple of weeks ago, I discovered Google's Image Labeler. And was almost immediately obsessed with it. It's tagging. You're tagging images from all across the internet. But it's a game! You're paired randomly with someone else from somewhere else, and you need to match the words you use to describe the images. Some words are worth more than other. Man is 50 points, guy is something like 60, and boombox is 140. And you only have two minutes to match as many as you can and earn points.

I didn't think of it as doing a service to google by tagging; I thought of it as trying to get the high score (which I did hold once for about 8 hours - it broke my obsession, thank the heavens). If it were feasible this would be an excellent way to increase use of museum tagging projects.

Of course, there's the whole problem of reality. Museum tagging sites (probably) don't get the kind of traffic google does, so the near instant pairing up of internet users would not be possible. But are there other incentives? How do we make tagging fun? Is it possible if you don't have Google-sized traffic? I don't have answers.

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We're coming to a museum near you.

Remember that video I posted ages ago - the I-generation? Probably not. But the premise is that folks my age and younger are often pretty well connected to the internet and technology things.

Well, we've finished our museum degrees and are out looking for jobs. Some of us have found them (yay!), some of us are still looking (just keep swimming, just keep swimming), but we're all probably going to get there in the end. For example, I have two friends that are still in the interview process. Both of them, although their interests lay in collections management, are interested in updating their potential employers' web presence.

We represent the intersection of web savvy and university trained museum professional. It seems that many museum tech people have not been trained originally as museum professionals - nothing wrong with that, just saying. Given that we are something of a shift, or even an intersection, I think it will be interesting to see what happens. Are we isolated? (No, probably not, as at least two other folks we graduated with are very involved with podcasting.) Will the degree-bearing museum person with an interest in technology shift what the museum online world looks like? (I'd wager no, actually, because, while we are passionate, most of us can't code to save our lives.) But I think there is potential. Something to keep an eye out for, in any case.

When I think of blogging for my new institution (which I haven't even started yet, due to circumstances), I imagine a blog which is, at first, very informal. Possibly even personal. Basically, I think of me blogging about my job. About the day to day of collection managing a previously undermanaged collection. And I imagine a tone very close to the tone of this blog. Because it is hard for me to blog things I am excited about without having this crazy, half-developed, decidedly non-refined tone.

Anyway, watch out for us. We're coming.

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Everything is Miscellaneous

Are you guys catching this? Leslie Madsen-Brooks is posting a multi-part series on Museums and Social Networking sites. So far, three parts are posted: 1. Introduction and Facebook, 2. Myspace, and 3. Flickr. She's offering a lot of great observations and pulling together a lot of writing and links. I'm looking forward to the next installment featuring social networking services of a different color: YouTube, Twitter, and LinkedIn.

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I'm currently reading Everything is Miscellaneous: The Power of the New Digital Disorder. It's one of those really entertaining, interesting, and provoking reads. I haven't yet had a chance to synthesize it, but one thing that really seems to stand out is the potential for messy data. And I mean messy data in a good way. Weinberger speaks of the "new digital disorder" as a third order method of organization - a method not bound by the rules of a two dimension paper based system.

Of course, in order to open up, say, digital collections to third order methods of organization, like tagging, museums need to have their second order organization in hand. A lot of museums can't say that their collections are completely cataloged in databases such as ARGUS or PastPerfect. And if the museum doesn't have control over its objects, it isn't sensical to start to relinquish that control to tagging projects.

And then, when you do have your second order ducks in a row, how do you get people to participate? As the sidebar to the Powerhouse Bulk Collections tagger states: "One of the key problems we have identified with social tagging of our collection is that there just isn't enough tagging going on and although the tags that are added do have significant benefit in terms of making certain collection records more easily discoverable only about 3000 records have been tagged so far." Yeah. What do people get from tagging? Tagging personal images, blog entries, bookmarks, what have you, has a use for the average person on the Internet. Tagging stuff for kicks? That's what museum people might do, not your average Myspace user.

Same problem as always: It's cool, we know why we're doing it, but how come no one's coming to play with us? The Powerhouse Museum is trying to address this issue by aiming the bulk tagger application to museum professionals and amateur groups.

Or, next to each collections object, have one of those nice buttons that say "Digg This" or "del.icio.us" so that the tagging is done through already beneficial applications and then find a way to mine that data.... Except for all those tags that'll just say "museum."

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